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Dragon-spine mosaic tiles on the rooftop of Casa Batlló in Barcelona, bright clean Mediterranean morning light, no people visible.

Six in the morning and someone has to convince the guard I am not a burglar. I am not. I am a woman with a duffel bag and a camera older than the metro line, asking to see a roof before the tour groups arrive with their selfie sticks and their sunscreen. He lets me up anyway. Barcelona has a way of doing that, letting you in early, like it trusts you more before it wakes.

The rooftop is quiet in a way that has weight to it. The trencadís tiles catch the first light and hold it, blue and green and gold, broken ceramic arranged like someone’s careful accident. Gaudí never explained himself, they say. He just built and left the rest of us to argue about dragons and crosses and bones. I don’t argue. I just notice the chimneys look like soldiers wearing helmets from a war that never happened, and the ridge of the roof curves like a spine, vertebra after vertebra, cooling under a sky that hasn’t decided what color it wants to be yet.

There’s a smell up here, faint and mineral, stone that has been rained on and dried a thousand times. Somewhere below, the Passeig de Gràcia is still mostly empty, just a street cleaner and his hose, water running along the gutter like it’s late for something. I hear a pigeon before I see it. I hear my own boots on the tile before I feel them.

*Saudade* is a word my mother uses for things that haven’t even left yet. I think of her now, oddly, on a dragon’s back in Spain, because this is the kind of light she used to chase in São Paulo kitchens, angling the blinds just to catch it on the table for a minute before it moved on. Light doesn’t wait for anyone. My camera knows this better than I do. I lift it, adjust nothing, let the lens decide what matters.

Below, the city stretches out unbothered, balconies and laundry lines and a church tower catching the same gold the tiles are drinking in. Up here it’s just me, the guard pretending not to watch, and a roof built by a man who apparently believed beauty should also be a little bit frightening. Fair enough. I stay until the first tour bus groans around the corner, then I climb back down, quiet, like I was never here at all.

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